Rating:

5 out of 5


Series / Stand-alone: 
Book 1 of the Chaos Walking trilogy.


Synopsis (from the book cover):
Todd Hewitt is the last boy in Prentisstown.

But Prentisstown isn't like other towns. Everyone can hear everyone else's thoughts in a constant, overwhelming, never-ending Noise. There is no privacy. There are no secrets.

Or are there?

Just one month away from the birthday that will make him a man, Todd unexpectedly stumbles upon a spot of complete silence.
Which is impossible.
Prentisstown has been lying to him.
And now he's going to have to run...

Astonishingly powerful and breathtakingly exciting, The Knife of Never Letting Go is an unflinching novel about the dangerous choices of growing up.


Review:
Oh, what can I say about this book? The printed acclaim for this novel is already overwhelming, with so many glowing reviews. I'm not one to usually pick my reads based on accolades, and this was no exception. This just happened to be on this really comprehensive YA dystopian reading list that I pulled off the net sometime back here. But boy oh boy, when I started reading this book, I could really see why it won multiple book prizes back in 2008.

I loved this book. In a landscape dominated by female writers, Patrick Ness provides a refreshing shot of testosterone with this trilogy. The action is snippy and pumping, yet not overly hurtling; there is its fair share of emotions, yet not simperingly sentimental; the characters are still shrouded in the innocence of childhood and discover the cruel choices that growing up entails. All in all, the novel is tightly controlled and finely balanced with all these converging elements, such that it all adds up to a wonderful concoction of heady exhiliration, heartbreak, and dry humour.

Thirteen-year-old Todd is at once tough and vulnerable, unsentimental and tender. His relationship with his faithful dog, Manchee, is the one that touched me most of all. I actually literally teared up at this juncture:

*SPOILER AHEAD*

'"Todd?" he barks, confused and scared and watching me leave him behind. "Todd?"
   "Manchee!" I scream.
   Aaron brings his free hand towards my dog.
   "MANCHEE!"
   "Todd?"
   And Aaron wrenches his arms and there's a CRACK and a scream and a cut-off yelp that tears my heart in two forever and forever.
   And the pain is too much it's too much it's too much and my hands are on my head and I'm rearing back and my mouth is open in a never-ending wordless wail of all the blackness that's inside me.'

As Todd learns that growing up is not easy, I re-learnt that too. Ness reminded me of how tough it is to grow up, how tough life is, even. As Todd tries his darndest to make it to Haven, kicking clawing and screaming his way there, I am reminded of my own struggle to make it to Heaven. Pun fully intended, I'm sure.

The entire novel is rife with symbolism and metaphor in spite of the intended young audience, that's its beauty.

By interspering the regular narrative with Noise demarcated by a less structured font, Ness does a mean job of making me feel like I actually know what it's like to hear the thoughts of men in Noise. Also, his clever manipulation of punctuation and repetition makes the characters' emotions palpable, which was very important for me in connecting with both the characters and the story itself.

In a genre already saturated with worlds in which so much is wrong and characters who are struggling to grow up, Todd's New World is one that stands out. Lies are unravelled and truth emerges as Todd grows up, and it is a poignant, witty, humorous, and heart-rending journey that you get to witness.

"Cuz the place yer a-leaving ain't worth staying for... Cuz the place yer a-leaving is so bad ye gotta leave."

Labels: Book Review, Dystopian, Futuristic, Sci-Fi, Young Adults

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The Other Side of the Island (2009) is another post-apocalyptic novel, albeit of a very different nature from my previous read, Alice Hoffman's Green Heart. I've really been into these lately, so my review posts are going to be a tad concentrated on this genre for a bit. Until I get what I like to term "genre-fatigue", but with all that I've been reading so far, it looks like it's going to take a while more. :P

Set in a distant future, Honor is 10 years old when the novel begins, and is just about to start her life anew with her parents, who have been reassigned to live on Island 365 in the Tranquil Sea, from their previous home in the Northern Islands. It slowly becomes clear that Island 365 is governed by the totalitarian and creepy Earth Mother - a regime whose creepiness is exacerbated by the fact that She is supposed to be everything a mother figure is supposed to be; caring and nurturing, seemingly wanting only the best for her children, but by making them live by Her rules: dictating what letter the name of each child born in a certain year should start with - down to an approved list of names of that letter, and regulating the weather and sky within the Enclosure.

Earth Mother is revered in a manner not dissimilar to how many Christians worship; discomfittingly, the much-beloved The Lord's Prayer has been re-written as Earth Mother's Corporate Creed. I became even more uncomfortable when Honor becomes increasingly brainwashed when she's at school to believe that her previous experience of natural phenomena while living in the Northern Islands did not exist, and that her name "Honor" was an improper "H" name because the "H" is a silent one. Honor slowly begins to turn against her parents, who do unusual and even illegal things like leaving the house after lights out, secretly keeping a dropped drawing book when the ownership of books in the society is banned, and choosing to raise their second child, Quintilion, as their own.

Honor decides to change her name to "Heloise", an approved "H" name, thinking that doing so would help her non-conformist parents blend in more and prevent them from Disappearing, which is basically what happens to people who are different. However, this triggers precisely what she was trying to prevent, and both herself and her younger brother become Orphans and have to live in the Boarding House, the place where children who have been Orphaned by their parents' Disappearances live. There, Honor meets her old friend Helix, whose parents had Disappeared shortly before Honors', and they begin to unravel the chilling truth of what happens to these dissenting people who are taken away.

There, that was a rather long synopsis of the story, but as you can probably tell, I got a bit carried away when I re-immersed myself in Honor's society in order to craft that summary. :D

Long story short, I really enjoyed this YA sci-fi, futuristic, dystopian novel. There were elements that Goodman incorporated from George Orwell's Nineteen Eighty Four, one of my all-time favourite dystopian novels - mind control via education; the re-writing of history, current weather conditions, and even stories; and living under a paternalistic/maternalistic totalitarian regime (Big Brother, anybody?), all for a collective greater good.

Honor was a pretty believable and relatable protagonist, self-absorbed as most teenagers are wont to be, albeit not about her looks and love-life, as many current YA novels like to make their female protagonists worry about, but rather about how she will fit into her controlled society.

The pace of the book was a bit slow at the start, but it picked up about mid-way, hurtled right through the conclusion at break-neck speed, and it was over even before I knew what hit me. Goodman's writing style suited the tone of her story - not overly lyrical or longwinded, leaning towards straightforward and clipped, almost.

I'd read a couple of reviews on Goodreads before picking up this book to read, and one of the main sticking points that came up pretty often on poorer reviews was the ending. It might seem a bit of a cop out to say this, but I think it's one of those "either you love it or you hate it, no two ways about it" kind of ending. I personally liked the ending, and felt it was befitting for this story: ambiguous enough that Honor's parents may or may not survive in their mission, and yet perhaps it's enough to know that Honor and her parents have tried, if nothing, to make a difference. The trying is all the difference, to me. Not enough YA novels end with such a lack of closure; too many YA novels come across as having an overly happy, almost forced, ending, and some people may argue "but that's what makes a YA novel precisely that, and not an adult text!" I, however, believe that not all endings in life are nicely wrapped up in a pretty bow and presented to you in a shiney gift-wrapped box, and that it's not too early for a young adult to face that reality.

What's stopping me from giving this book a full five stars is that it didn't exactly blow me away. I loved this, yes, but I didn't love it. I think I'd like to save my five star rating for something really mind-numbingly awesome :) Nonetheless, I think this is one of those solid four-starred books that I would strongly recommend to fans of the genre.


Next read: Shades of Grey by Jasper Fforde

Labels: Book Review, Dystopian, Environmental Disaster, Futuristic, Sci-Fi, Young Adults

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Many things have caught my fancy in my twenty-four years of life in this world - hydrangea and calla lily posies, tea, blackberries, exploring Azeroth and beyond, and furry sneaky cheeky felines are but some of them. Nothing beats the feeling of being on the cusp of a Great Adventure, nevermind if the actual distance travelled is more like twenty miles rather than a hundred. There is, in my opinion, always more out there to be learnt, and there will never be enough time for me to ever do it all. When I'm not working like the good, obedient, compliant citizen that I am, I may be found with my nose deep in a book, sipping a cup of tea, running around free with some Elves or Worgen, attempting to build my empire and protecting it from the barbaric hordes, or out sourcing for worthy additions to my painstakingly put-together wardrobe. More relevantly to this blog, the literary genres that most captivate me are dystopian, fantasy, historical, post-modern and modern. I may read the occasional crime or realist novel, but I almost never can complete an auto-biography or romance fiction. I am contactable either by leaving a comment on one of my posts, or via email: kelly.ang [AT] gmail Please feel free to leave your own comment in return - I am very nice and would love to hear from fellow book-lovers :)